Anthology
2019–2007
The architect as a storyteller
Kirsten Wenzel
Apart from the involuntary irony that Der Spiegel appears in both impostor stories, once as a prosecutor and once as an accused, they differ fundamentally.
competitionline.com, Berlin, 17 Jan. 2019. (de, en, it)
Architecture and truth
Jeanette Kunsmann with Stephan Burkoff
Cardillo has created a labyrinth of truths and illusions. It is a novella with multiple layers. […] There is no one truth—reality: it doesn’t exist. Antonino Cardillo has built it.
DEAR Magazin, no. 1, Berlin, April 2017, p. 84. (de, en, it)
Models in reality. The digital image promises of Antonino Cardillo
Carolin Höfler
After the representations were revealed as desired pictures, he replied: “Just see it like a literary narrative, […] a fairy tale. It is also not important that things actually happened.”
Konstruierte Realitäten, Goethe‑Universität, Deutsche Architekturmuseum, Frankfurt am Main, 1 Dec. 2015. (de, en, it)
On the mediated representation of architecture
Gérard Houllard
In fact, Cardillo is right here at its core, because as this essay also wanted to show, images of unrealised and utopian architectures can become an integral part of architectural history and not insignificantly influence it.
IACSA Newsletter, vol. 4, no. 1, Basel, May 2013, p. 11. (de, en, it)
Can we do without deception?
Carl Zillich
Cardillo, who meticulously lists all these press reports on his website, only holds up a mirror to architectural media and points out a fundamental problem: How can young architects find clients without having been published?
bkult.de, Berlin, 10 Sept. 2012. (de, en, it)
All just rendered—and now?
Christian Holl
How do we construct our reality from the material and the imaginary through the media today and what are the consequences? […] If the case of Cardillo now serves to at least seriously discuss one of these questions again, he may have done more for the architectural discourse than those who think they have always known the answer.
german-architects.com, Stuttgart, 29 July 2012. (de, en, it)
Fantasy and reality
Gabriele Detterer
Incidentally, architecture has always been ephemeral and virtual, he explains. From Palladio to Schinkel, from Sant’Elia to Mies van der Rohe, architects influenced architectural development and changed reality with ideas in the form of surrogates.
Neue Zürcher Zeitung, no. 164, Zurich, 17 July 2012, p. 40. (de, en, it)
Impostor: Roman ruins
Susanne Beyer
When Felix Krull was young, he pondered for a long time whether he should view the world as small or large. According to his “nature”, he later in life “considered the world to be a great and infinitely alluring phenomenon.” He became the happiest impostor in literary history.
Der Spiegel, no. 27/12, Hamburg, 2 July 2012, p. 121. (de, en, it)
Beautiful cloning
Peter Reischer
An email inquiry pointing out that the architectural photos depicted or submitted are not photos but renderings, receives the terse response: “I am an artist and as an artist I manipulate reality! That’s it!”
Falter, no. 19/12, Vienna, 9 May 2012, p. 31. (de, en, it)
Sameness and otherness (CS)
Lucie Červená
“In contemporary architecture, a lack of idea is often masked by the use of overwhelming materials. I am not interested in today’s architecture,” says the architect. “I am fascinated by old architecture that we cannot fully understand and thus stimulates our imagination.”
Projekt, no. 9/10, Prague, Sept. 2010, pp. 28‑37. (cs)
Minimalist mansion takes inspiration from the moon
Lucy Foster
Whoever says that Australia lacks culture hasn’t met the client who commissioned this exemplary home.
ShortList, no. 109, London, Jan. 2010, p. 8. (en)