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Interpretation
Antonino Cardillo
Less is more. — Ludwig Mies van der Rohe
Less is bore. — Robert Venturi
Mies + Venturi. Modern in plan and ‘Post’ in elevation, Postmodern Cafe is a divertissement, a quest between Ludwig Mies van der Rohe and Robert Venturi.
Urban baroque strategy. Two façades capture glances across the V&A’s 1970s Exhibition Road hall.
Symmetry and negation. Although symmetrical, they are perceived from diagonal points of view. The front view seems to be denied by the pathway.
Inflection. On the façades, figures converge toward the centre. Though symmetrical overall, each side is unequal.
Archetypes. Like huge frescoes, the façades recall the pre-modern bond between painting and architecture. Vinyl graffiti refigure themes of Tympanum and Arch: two contrapositive triangles in a Suprematistic broken tympanum and a stretched arc framing a shard of the Aston Webb screen behind.
Stripes. Crossing the space, there are stripes everywhere, evoking ephemeral structure on a shoreline and retroactive presages close to Gio Ponti and Postmodernism: Art is fluid. Although categorised, it escapes boundaries.
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London Design Festival 2011 exhibition at the Victoria & Albert Museum. Aston Webb, Exhibition Road Screen, Victoria & Albert Museum, London, 1909, demolished in 2014. Photography: Antonino Cardillo, 2011
References
- Ludwig Mies van der Rohe, ‘On restraint in design’, The New York Herald Tribune, New York, 28 June 1959.
- Robert Venturi, Complexity and Contradiction in Architecture, The Museum of Modern Art, New York, 1966.
Data
- Time: July–September 2011 (design)
- Venue: Victoria & Albert Museum, Exhibition Rd, South Kensington, London, UK
- Area: 250 m²
- Typology: reception/bar
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Credits
- Architecture: Antonino Cardillo
- Client: London Design Festival (director: Ben Evans; deputy director: William Knight; project manager: Ruth Dillon; festival assistant: Siobhan Henderson and Enis Karavil; consultant curator: Suzanne Trocmé; head at the V&A: Victoria Broackes; officier at the V&A: Sophie Reynolds) via Suzanne Trocmé
- Graphic, text: Antonino Cardillo
- Translation: Charles Searson
- Thanks to Suzanne Trocmé